Before any successful shoot there is always some planning on my part as the cameraman or DOP. I like to have an idea of what I will be shooting and the location the shoot will be in. Really the more information you have will mean you can be better prepared and save time on set and most importantly get the best images. Try to get an outline of the shots needed or a storyboard is great too.
Continue reading “Shoot preparation and shoot day tips”
So how do you make sure your gear works when you need it too? That’s an easy answer, make sure you protect it properly. The easiest way to do this is to have your gear in protective cases or bags. Continue reading “Camera bags and hard cases for Photographic, Film and TV gear”
Deciding on new camera gear is always tough and you have to focus on which product is right for you.
I have owned and used on camera monitor-recorders for a long time. I originally bought a Atomos Samurai when I bought one of the first Red One cameras in Australia. The reason this was a great option to add to the Red camera was because it allowed me record a video stream with matching file names and timecode (to the RAW recording) the Red camera was doing. This allowed more options in post production as well as allowing for playback on set. This was in the very early days of the Red before the cameras could play back the footage. These two features alone were more than enough reason to buy the Atomos.
Continue reading “External recorder or monitor-recorder: why do I need one?”
What is the secret to making a great video? A great cameraman.
While having all the gear you will need on set is always that best option, Gear does not make the cameraman, the cameraman makes the gear. Don’t forget Gear is good, but vision, know-how and creativity is better.
If you know how to properly use your gear, you can produce beautiful work. Does using professional camera gear perform better? Yes. But simply having the best camera isn’t enough you need to know-how to use it.
Continue reading “Secret to making a great Video”
A typical professional video shoot normally means you need a wide range of gear. Even the seemingly simplest shoot can need a huge amount of gear to make the end video look fabulous.
Keep in mind, there is no “one size fits all” equipment package for everyone since there are so many variables including budget, type of project, shoot style and shoot locations to name just a few.
Continue reading “A typical professional video shoot”
Unless you have been living under a rock, surely almost everyone is familiar with the kickass reputation of Aussie TV personality and trainer Michelle Bridges.
Tim Bradley at Minds Eye Films certainly knows now that she applies this can-do attitude across all areas of her life, and especially so in her training programs.
Continue reading “Move it with Michelle”
Its not just you – Tim from Minds Eye Films is definitely looking like he has been on a vacation somewhere with a lot of sun. But in fact, Tim’s tanned skin is actually a result of days of working in an idyllic location – on water!
And not just any body of water. Tim has been shooting on Sydney’s iconic harbour and the pristine Pittwater for two exciting projects for two separate clients. Minds Eye enjoys the challenges that come with tackling a new location, and shooting on a 50-foot game fishing boat and a 60-foot yacht certainly presents some unique ones!
Continue reading “Working on water”