Samurai and Tim Bradley work together

www.sydneycameraman.net.auThe Samurai recorder is a great piece of gear. I bought this pro res and Avid codec recorder for two main reasons.

First it will let me offer 10 bit recording with my Xdcam F800 camera. This will be great for any green screen work, or work where there is high detail in the back ground. The advantage of 10 bit of 8 bit recording is that in simple terms the editor has alot more information to work with, therefor can push the limits further.

The second reason is to be able to offer a direct to edit option with my Red Epic camera. When the Samurai is used this way it will eliminate the need to transcode the Epics camera files (R3Ds) means a far faster post solution. Another use is to make proxy files for offline editing. I recently used the Samurai on a shoot with my Epic as a great, quick replay device. The director could replay any shots while I was setting up the next shot with the camera.

The Samurai is a leader in its area. It is small, easily operated and has the  lowest power consumption. It is a great addition to my extensive range of gear.

Field of View Comparator – Epic, Arri, Canon, F65

Ever wanted to know what the field of view of different cameras are and be able to compare them … well now you can.

Able Cine has made this great tool and they have recently added all the new cameras from NAB 2012. The new cameras include the Canon C300, C500, and 1DC. The C300 and C500′s sensor is almost exactly the same size as Super 35mm film; at 24.6×13.8mm it has a 28.2mm diagonal. The 1DC can record in both HD modes and in a 4K mode. The HD mode uses the full frame sensor area just like the 5D Mark III, however the 4K mode uses a smaller APS-H mode, like the 1D Mark 4. All these options are now available in our tool.

Additionally, they’ve added the Blackmagic Digital Cinema camera to the list, which has a sensor size somewhere between Super 16mm film and a 4/3rd sensor like on the AF100. At 15.8×8.9mm it has a 18.14 mm diagonal, which leads to a fair bit of cropping when compared to Super 35mm and full frame sensors. The Blackmagic Camera can record in both HD (ProRes, DNxHD, and uncompressed) as well a full 2.5K 12-bit Raw format. The Raw data is captured in Cinema DNG format at a resolution of 2432×1366, however the captured image area is the same, so you should get the same field of view in either mode.