The latest module for the Red Epic has just arrived. Its the Pro I/O or professional Input output module. This module allows for many advanced configurations and attaches to the rear of the Epic to provide a central hub for essential I/O connections. Professional I/O support for audio and video is critical for large productions and the PRO I/O MODULE bundles them conveniently into one module.
1x Genlock / PGM / Preview (BNC)
2x 3-Pin XLR Input
1x 5-Pin XLR Output
1x Timecode (5-Pin Lemo)
1x GPIO (4-Pin Lemo)
1x Power (4-Pin Lemo)
1x AUX (10-Pin Lemo)
1x LCD/EVF Output (RED Display)
This module makes our Epic truly versatile and now is all you need to shoot anything from Web video through to a feature film.
Ever wanted to know what the field of view of different cameras are and be able to compare them … well now you can.
Able Cine has made this great tool and they have recently added all the new cameras from NAB 2012. The new cameras include the Canon C300, C500, and 1DC. The C300 and C500′s sensor is almost exactly the same size as Super 35mm film; at 24.6×13.8mm it has a 28.2mm diagonal. The 1DC can record in both HD modes and in a 4K mode. The HD mode uses the full frame sensor area just like the 5D Mark III, however the 4K mode uses a smaller APS-H mode, like the 1D Mark 4. All these options are now available in our tool.
Additionally, they’ve added the Blackmagic Digital Cinema camera to the list, which has a sensor size somewhere between Super 16mm film and a 4/3rd sensor like on the AF100. At 15.8×8.9mm it has a 18.14 mm diagonal, which leads to a fair bit of cropping when compared to Super 35mm and full frame sensors. The Blackmagic Camera can record in both HD (ProRes, DNxHD, and uncompressed) as well a full 2.5K 12-bit Raw format. The Raw data is captured in Cinema DNG format at a resolution of 2432×1366, however the captured image area is the same, so you should get the same field of view in either mode.
Well NAB the huge TV gear / software show in Vegas has opened with lots of new gear announcements. Red has announced an upgrade to the only still very new Epic camera. The upgrade is a new sensor that will be available from the end of this year. The new sensor will have a higher resolution (increase from 5K to 6K) smaller pixels (for finer detail) and increased dymanic range ( from 13.5 stops to 15 stops) Red also announced a lot of other new accessories see red.com
Black magic has entered the camera market with an odd looking camera. This I see as an interesting move for a software company to move to making cameras.
Sony have brought out 3 new lowish cost large sensor cameras – great to have choices, but we have too many for some post houses to keep up.
Canon has announced a new camera, the C500. This would make me very unhappy if I had just purchased the C300 as that is now outdated. This must be one the fastest cameras to ever become outdated as they have only just hit the market about 3months ago.
So all in all there are today a heap of new options for production and post. Its exciting times !!
Sony has released the Android version of the XMPilot Tool App, but the App will only work on Sony devices. There is also a version of the XMPilot Tool App for iOS iPhone and iPads.
I find it digraceful the Sony has released a crippled Andriod version of the App, but has released the iOS version. I was told by Sony that the crippled Android version was to promote the use of Sony products, But if this is the case why did Sony release an iOS version? Really bad work with this Sony !
I have paid for the software key and WiFi adapter ($2,200) for my Sony XDcam PDW-F800 HD camera ($70,000) and I can not use with my HTC Android phone.
So all you other Android user out there that feel that this is wrong please let Sony know how you feel too!
Just finished working on a series of commercials with my new camera – Epic from Red. The Epic is the latest and by far best camera out in the market today. Its being used to shoot movies such as Spiderman, The Hobbit and Avatar to name a few. The Epic has features such as HDR which let you shoot scenes with 18 stops of Dynamic range. The next best camera can only get to 14 stops. This camera is what we all have been waiting for !