Whether you’re shooting video with a DSLR, mirrorless camera, or upgrading to a high-end video camera, true cine lenses provide a great way to enhance your video shooting experience and achieve professional results. So why go for a cine lens that may cost thousands of dollars when your regular stills lenses is doing a creditable job capturing video? Because true cine lenses offer much greater control and precision, provide a more seamless shooting experience, and can deliver even better overall video performance.
Continue reading “Cine Lenses or Stills Lenses?”
What is a 360 camera?
A 360 camera allows you to take immersive, spherical photos or videos where every angle of the scene is recorded at the same time. This means it comes as either a rig that holds multiple cameras covering all angles, or a standalone camera with multiple camera lenses embedded in the device. 360 cameras come in two types: monoscopic and stereoscopic but most cameras are Monoscopic so I’ll focus on them. The term stereoscopic means it’s shooting 3D in 360 degrees. You all remember that 3D fad that died out recently.
Continue reading “The Best 360 Cameras”
Even with only two or three lights anyone can achieve great looking images on video or stills. A typical starting point for professional camera people is always the basic three point lighting setup, from there you can adapt it to achieve the mood you like on your shoot.
When three point lighting, the lights used are normally Key, Fill and Backlight (Hair light). The Key Light is the strongest light hitting your subject (or Talent), and the main source of light in the shot.
The Fill light is from the opposite side to the Key light and is there to reduce contrast and lighten shadows on the subject. Depending on how much contrast or shadow and definition you want on your subject, the Fill light can be moved closer or further away to vary the intensity (brightness). For a soft Fill light it can be filtered or bounced to diffuse it, or placed further away reduce the light’s brightness hitting the subject.
The Backlight (Hair Light) hits your subject from behind and or above which separates the subject from the background by making the edges of the subject’s body pop.
Continue reading “Improve your Video and Stills photography lighting”
So you are after some new lights to shoot video with. With this comes lots of decisions which will be mainly answered by the video work you are doing or want to do.
Choosing the type lighting for your shoot makes an enormous impact on the quality of your final video. The correct use of lighting allows you to
- control the mood of your video
- Direct the eye of the viewer where you want it to go
- Emphasize and de-emphasize elements within the frame
- Add texture and color
- Make people look beautiful, ugly, sinister, or angelic
Continue reading “Buying Professional Video Lighting gear”
There is an ever increasing range of camera and lighting gear, new LED lights through to camera gimbals. But the C stand is probably the piece of gear that will be used on almost every shoot. The term ‘Century Stand’ goes back to the early days of motion picture production. Century Stands also known as “C Stands” are one of the most frequently used stands in the film industry. They are mainly used by grip and lighting and can support other things on film sets.
Continue reading “Essential Video gear – The C Stand”
A typical professional video shoot normally means you need a wide range of gear. Even the seemingly simplest shoot can need a huge amount of gear to make the end video look fabulous.
Keep in mind, there is no “one size fits all” equipment package for everyone since there are so many variables including budget, type of project, shoot style and shoot locations to name just a few.
Continue reading “A typical professional video shoot”
When you are starting out or want to try a new lighting look, people always ask which lights should I use. While this is a great question, it’s not an easy answer. There is no one light that is great for every shoot. There are however lights that can be used in a variety of ways easily that make them worth considering.
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It seems every man and his dog has a drone these days. The sad fact is though that the vast majority of these are either not equipped with a decent camera or are flown badly or even worse illegally.
To get great results you do need to get a professional drone crew. On shoots that I have been on by far the best results have been achieved by a two person Drone crew. One person to fly the drone and the second to frame the camera.
The good news is that there are better drones everyday equipped with better cameras giving more options to get the shot. I have to admit though I am old school and can easily see the advantages in shooting from a Helicopter with a stabilised mount. In this type of setup you can choose the camera and lenses you need rather than having to accept a fixed lense that distorts the image from prosumer type drones.
But all that aside, here is the best way to enjoy using a drone I have seen.