I have a big interview series shoot, where we are interviewing heaps of legends from Australia’s film and TV industry. Shooting on a Red Epic to ensure nice short depth of field and and a cinematic feel to the finished video. Thanks to Eve Brown (Production Manager) for sitting in for the pre-light at the beautiful Theatre Royal.
We decided to shoot at 4K resolution with an f-stop of 2.8 to achieve a beautiful soft background. The rich red tones in the theatre look superb. I am looking forward to the next few days of shooting with the great team from The Milkbar.
The lighting I am using are a mix of Lowel Tota lights and Dedolight or Dedo’s
Off to Melbourne to shoot two one question interviews. Leaving on 8am flight return 1pm flight. Then off to shoot more interviews in Sydney. Nothing like shooting in two states on one day.
I have filmed thousands of people over the years, but just recently I filmed Professor Graeme Clark, a very inspiring man who invented the cochlear implant which enables at least 95% of deaf people to hear again. Not only is he a humble friendly man, he is an absolute pleasure to work with. Prof Clark was derided by the scientific community, with many saying ‘it’ll never work.’ Well, the cochlear implant has transformed the lives of close to 200,000 people. And I had the pleasure of working with this brilliant Australian. Its meeting amazing people like Prof Graeme Clark that keeps me loving my job!
The project was for the 30th anniversary of the world’s first commercial cochlear implant. The world is truly a better place because of him!
The Samurai recorder is a great piece of gear. I bought this pro res and Avid codec recorder for two main reasons.
First it will let me offer 10 bit recording with my Xdcam F800 camera. This will be great for any green screen work, or work where there is high detail in the back ground. The advantage of 10 bit of 8 bit recording is that in simple terms the editor has alot more information to work with, therefor can push the limits further.
The second reason is to be able to offer a direct to edit option with my Red Epic camera. When the Samurai is used this way it will eliminate the need to transcode the Epics camera files (R3Ds) means a far faster post solution. Another use is to make proxy files for offline editing. I recently used the Samurai on a shoot with my Epic as a great, quick replay device. The director could replay any shots while I was setting up the next shot with the camera.
The Samurai is a leader in its area. It is small, easily operated and has the lowest power consumption. It is a great addition to my extensive range of gear.
Ever wanted to know what the field of view of different cameras are and be able to compare them … well now you can.
Able Cine has made this great tool and they have recently added all the new cameras from NAB 2012. The new cameras include the Canon C300, C500, and 1DC. The C300 and C500′s sensor is almost exactly the same size as Super 35mm film; at 24.6×13.8mm it has a 28.2mm diagonal. The 1DC can record in both HD modes and in a 4K mode. The HD mode uses the full frame sensor area just like the 5D Mark III, however the 4K mode uses a smaller APS-H mode, like the 1D Mark 4. All these options are now available in our tool.
Additionally, they’ve added the Blackmagic Digital Cinema camera to the list, which has a sensor size somewhere between Super 16mm film and a 4/3rd sensor like on the AF100. At 15.8×8.9mm it has a 18.14 mm diagonal, which leads to a fair bit of cropping when compared to Super 35mm and full frame sensors. The Blackmagic Camera can record in both HD (ProRes, DNxHD, and uncompressed) as well a full 2.5K 12-bit Raw format. The Raw data is captured in Cinema DNG format at a resolution of 2432×1366, however the captured image area is the same, so you should get the same field of view in either mode.
Sony has released the Android version of the XMPilot Tool App, but the App will only work on Sony devices. There is also a version of the XMPilot Tool App for iOS iPhone and iPads.
I find it digraceful the Sony has released a crippled Andriod version of the App, but has released the iOS version. I was told by Sony that the crippled Android version was to promote the use of Sony products, But if this is the case why did Sony release an iOS version? Really bad work with this Sony !
I have paid for the software key and WiFi adapter ($2,200) for my Sony XDcam PDW-F800 HD camera ($70,000) and I can not use with my HTC Android phone.
So all you other Android user out there that feel that this is wrong please let Sony know how you feel too!
Sony releases new version of XD Browser V1.21
XDB – the new Xdcam Browser software will be the same for both Mac and Windows. This still is early versions of the software so does not offer all the functionatity that the other Mac and PC version offer at this time.
It is great though to see Sony slowly releasing new version with improvements.
To download XD Browser V1.21 go to Sony
UPDATE : XD Browser V1.3 has been released