Coming soon are gear reviews. I will post what gear I use and why I use it. I will let you know how the gear stacks up to professional use on set. I’ll describe the advantages and disadvantages to any of the gear. I work on a wide range of productions, tv commercials, corporate and web videos so can recommend gear that’s versatile and worth considering taking on your next shoot.
Also if you have questions on film and tv gear let me know and I will pass on an industry veteran opinion.
With the range of gear options increasing everyday it’s important to know what works well and why.
First up I will let you know about my lighting gear and will give the pros and cons for HMI lighting.
Happy shooting til then.
Its not just you – Tim from Minds Eye Films is definitely looking like he has been on a vacation somewhere with a lot of sun. But in fact, Tim’s tanned skin is actually a result of days of working in an idyllic location – on water!
And not just any body of water. Tim has been shooting on Sydney’s iconic harbour and the pristine Pittwater for two exciting projects for two separate clients. Minds Eye enjoys the challenges that come with tackling a new location, and shooting on a 50-foot game fishing boat and a 60-foot yacht certainly presents some unique ones!
We have added another lens to our range. The Canon EF 16-35mm f/2.8L II USM Lens is a great addition as it adds a great wide angle option for both stills work and is fabulous on our Red Epic Dragon.
The Red Dragon camera is built to work with Canon lenses and takes advantages of the lenses internal motors enabling all sorts of focus options that no other professional cinema camera offers. By shooting with the light weight high quality Canon L series lenses, it enables shooting with an ultra light weight camera setup.
Producing two cinematic quality TVCs at low cost and with a limited shoot time? No problem! It’s a challenge Tim faced recently when he was shooting two new infomercials for regular client Optus – and he tackled it using his Red Epic camera and his brand new Canon Cine Prime lens set.
Forget the Oscars, the world premiere of the new Hi-5 movie “Some Kind of Wonderful” with director of photography extraordinaire Tim Bradley. I shot on my new revolutionary Red Epic camera. It’s in good company, Red Epic was also used to shoot Hitchcock, The Great Gatsby, The Hobbit and Mental. Looking forward to walking the purple carpet – think Hi 5 colours 🙂
The Fantastic crew was – sound by Martin Harrington, additional cameras Brigham Edgar, Dean Ginsburg and Directed by Jim Hare.