Hill sprints, stand up paddle boarding and rowing; this is just the beginning of what’s in store for Australia’s newest on-line entertainment, health and wellbeing channel healthyMEtv. Hosted by rugby union legend George Gregan, healthyMEtv inspires Australians to live healthier each day by creating the best original video content.
Capturing the emotion behind a person’s story is an essential skill for any cameraman; whilst filming a series of informative videos for AbbVie, a global biopharmaceutical company committed to patient-centred innovation, Tim’s skills were put to the test.
I have just added a few things to my audio kit. I have added a Countryman B3 lapel mic and windscreens and accessories. This mic I can use with my radio mic transmitter as well as being able to have it as a wired mic too. The capsule (head) is tiny so will be less visible than most mics, as well as it offering a great sound recording. The little windsocks are rated to winds up to 30Km/h, so will offer a great option in tough conditions.
First it will let me offer 10 bit recording with my Xdcam F800 camera. This will be great for any green screen work, or work where there is high detail in the back ground. The advantage of 10 bit of 8 bit recording is that in simple terms the editor has alot more information to work with, therefor can push the limits further.
The second reason is to be able to offer a direct to edit option with my Red Epic camera. When the Samurai is used this way it will eliminate the need to transcode the Epics camera files (R3Ds) means a far faster post solution. Another use is to make proxy files for offline editing. I recently used the Samurai on a shoot with my Epic as a great, quick replay device. The director could replay any shots while I was setting up the next shot with the camera.
The Samurai is a leader in its area. It is small, easily operated and has the lowest power consumption. It is a great addition to my extensive range of gear.
Ever wanted to know what the field of view of different cameras are and be able to compare them … well now you can.
Able Cine has made this great tool and they have recently added all the new cameras from NAB 2012. The new cameras include the Canon C300, C500, and 1DC. The C300 and C500′s sensor is almost exactly the same size as Super 35mm film; at 24.6×13.8mm it has a 28.2mm diagonal. The 1DC can record in both HD modes and in a 4K mode. The HD mode uses the full frame sensor area just like the 5D Mark III, however the 4K mode uses a smaller APS-H mode, like the 1D Mark 4. All these options are now available in our tool.
Additionally, they’ve added the Blackmagic Digital Cinema camera to the list, which has a sensor size somewhere between Super 16mm film and a 4/3rd sensor like on the AF100. At 15.8×8.9mm it has a 18.14 mm diagonal, which leads to a fair bit of cropping when compared to Super 35mm and full frame sensors. The Blackmagic Camera can record in both HD (ProRes, DNxHD, and uncompressed) as well a full 2.5K 12-bit Raw format. The Raw data is captured in Cinema DNG format at a resolution of 2432×1366, however the captured image area is the same, so you should get the same field of view in either mode.
Well NAB the huge TV gear / software show in Vegas has opened with lots of new gear announcements. Red has announced an upgrade to the only still very new Epic camera. The upgrade is a new sensor that will be available from the end of this year. The new sensor will have a higher resolution (increase from 5K to 6K) smaller pixels (for finer detail) and increased dymanic range ( from 13.5 stops to 15 stops) Red also announced a lot of other new accessories see red.com
Black magic has entered the camera market with an odd looking camera. This I see as an interesting move for a software company to move to making cameras.
Sony have brought out 3 new lowish cost large sensor cameras – great to have choices, but we have too many for some post houses to keep up.
Canon has announced a new camera, the C500. This would make me very unhappy if I had just purchased the C300 as that is now outdated. This must be one the fastest cameras to ever become outdated as they have only just hit the market about 3months ago.
So all in all there are today a heap of new options for production and post. Its exciting times !!
Sony has released the Android version of the XMPilot Tool App, but the App will only work on Sony devices. There is also a version of the XMPilot Tool App for iOS iPhone and iPads.
I find it digraceful the Sony has released a crippled Andriod version of the App, but has released the iOS version. I was told by Sony that the crippled Android version was to promote the use of Sony products, But if this is the case why did Sony release an iOS version? Really bad work with this Sony !
I have paid for the software key and WiFi adapter ($2,200) for my Sony XDcam PDW-F800 HD camera ($70,000) and I can not use with my HTC Android phone.
So all you other Android user out there that feel that this is wrong please let Sony know how you feel too!
Yes ….. I have a Canon 5D Mark II as well as a Red One and Sony F800 cameras. But I only have it mainly for stills. I am really enjoying shooting some lovely stills, just wish the weather was better. I hoping to shoot a few long exposure tests. So lovely to have a short depth of field, very cinematic. I got a couple of Lenses with it, 24-70 F2.8 and 70-200 F2.8. I have not shot anything yet that hasn’t been at 2.8 I just love shallow DoF.
Sony has released a new version of XDcam Browser Version 2 (XDB V2). It supports XMPilot, live logging, XMPilot support, Mac Lion support and more. It should mean that I will be able to use my phone (or an Ipad) as a viewer, shot marker and logger on shoots! Very exciting as it can help reduce edit time.
XMPilot is a great powerful system when combined with a F800 XDcam camera and WiFi adapter. XMPilot is an advanced metadata workflow solution designed to significantly improve and speed up the overall XDCAM production workflow. It has connectivity via mobile devices such as smartphones and touch tablets.
With XMPilot, users can create planning metadata with the XMPilot Planner in advance and have the flexibility to transfer this metadata to a camcorder remotely via email and Wi-Fi, as well as directly via USB or file-copying onto a recording media.
The XMPilot Tool running on mobile devices (smartphones and tablets) enables live logging and post-shoot logging against the timecode. The XMPilot live viewing option allows XMPilot users to select a target camcorder (with XMPilotTool GUI) and view live stream recording whilst away from the shooting set.
XMPilot planning metadata transfer, live viewing and live logging can be carried out with mobile devices.
I will test it all out as soon as I can get a copy of the new browser. Looking forward to this major leap froward in technology ! A Tweet from a Sony Guy in Europe says the software should be on their sites for download by next week.