Forget the Oscars, the world premiere of the new Hi-5 movie “Some Kind of Wonderful” with director of photography extraordinaire Tim Bradley. I shot on my new revolutionary Red Epic camera. It’s in good company, Red Epic was also used to shoot Hitchcock, The Great Gatsby, The Hobbit and Mental. Looking forward to walking the purple carpet – think Hi 5 colours 🙂
The Fantastic crew was – sound by Martin Harrington, additional cameras Brigham Edgar, Dean Ginsburg and Directed by Jim Hare.
Red Digital has started to sue Sony Corp for patent infringement. The Red’s complaint claims that three cameras made by defendants Sony Electronics and Sony Corporation “all embody the subject matter claimed in Red’s asserted patents without any license.” The federal court filing adds that “Red is informed and believes and thereupon alleges that the sale of Sony’s unauthorized, infringing cameras has resulted in lost sales, reduced the business and profit of Red, and greatly injured the general reputation of Red.” Alleging two instances of “willful and wanton” patent infringement on technology used in its Red One camera, Red is seeking a court order that its patents are “valid and enforceable” as well as an injunction against Sony’s F65, F55 and F5 cameras to stop their further sale and have them destroyed.
Jim Jannard, founder of Red says “This is a REDCODE RAW issue… one that many have acknowledged for years as a core invention of RED and incredibly important to what we all are doing…… REDCODE RAW is not “rounded corners”. It is fundamental to recording high resolution images on camera to small media. It is brilliant. And it is no surprise that others have finally figured out (several years later) that the only way to get where they need to go is through this path.”
This will probably take along time going through the courts, but may just make people reconsider their purchase of a Sony F5, F55 or F65 as if Red wins they may all have to be destroyed.
The latest firmware for the Samurai recorder now allows uses to select a new file naming option. The Samurai’s new option is to be able to use the Red Epic/Scarlet file names, making the Samurai an instant ProRes or DNxHD backup copy of your footage as well as allowing you to use the Samurai’s files for offline edit. Because of the matching file names now it will make re-conforming to the R3D files a breeze.
This update makes my Epic a more versatile camera, meaning what ever post production you have planned for your shoot myself and the Red Epic now provide answer.
Well done Atomos ! Thank you.
Today’s the final gear prep day before we start shooting a reality TV series. I can’t name the show yet, but I am really looking forward to shooting it on my Epic camera. We have mainly Epics, but have one Scarlet camera in the mix.
Keeping on top of the data backup is going to be one challenge, but I am told that’s in good hands with plenty of on set computing power at hand.
There has been a great crew brought together for this show, so will be great fun to shoot!
Red has just added some tools for Cinematographers and Photographers that use Epic or Scarlet cameras to their web site. The new tools are 1. Crop Factor 2. Recording Time 3. Flicker Free Speeds 4. Depth of Field.
You can find the tools at http://www.red.com/tools/crop-factor
At the moment they are online but its rumoured that there may be an app version in the pipeline. I see the record time tool as the best as no other app seems to be able to do what this tool does.
Thanks you Red!
For more about Tim Bradley please visit www.sydneycameraman.net.au or www.cams.net.au
I have filmed thousands of people over the years, but just recently I filmed Professor Graeme Clark, a very inspiring man who invented the cochlear implant which enables at least 95% of deaf people to hear again. Not only is he a humble friendly man, he is an absolute pleasure to work with. Prof Clark was derided by the scientific community, with many saying ‘it’ll never work.’ Well, the cochlear implant has transformed the lives of close to 200,000 people. And I had the pleasure of working with this brilliant Australian. Its meeting amazing people like Prof Graeme Clark that keeps me loving my job!
The project was for the 30th anniversary of the world’s first commercial cochlear implant. The world is truly a better place because of him!
The latest module for the Red Epic has just arrived. Its the Pro I/O or professional Input output module. This module allows for many advanced configurations and attaches to the rear of the Epic to provide a central hub for essential I/O connections. Professional I/O support for audio and video is critical for large productions and the PRO I/O MODULE bundles them conveniently into one module.
1x Genlock / PGM / Preview (BNC)
2x 3-Pin XLR Input
1x 5-Pin XLR Output
1x Timecode (5-Pin Lemo)
1x GPIO (4-Pin Lemo)
1x Power (4-Pin Lemo)
1x AUX (10-Pin Lemo)
1x LCD/EVF Output (RED Display)
This module makes our Epic truly versatile and now is all you need to shoot anything from Web video through to a feature film.