There is an ever increasing range of camera and lighting gear, new LED lights through to camera gimbals. But the C stand is probably the piece of gear that will be used on almost every shoot. The term ‘Century Stand’ goes back to the early days of motion picture production. Century Stands also known as “C Stands” are one of the most frequently used stands in the film industry. They are mainly used by grip and lighting and can support other things on film sets.
When you are starting out or want to try a new lighting look, people always ask which lights should I use. While this is a great question, it’s not an easy answer. There is no one light that is great for every shoot. There are however lights that can be used in a variety of ways easily that make them worth considering. Continue reading “Which lights should I use?”→
Its not just you – Tim from Minds Eye Films is definitely looking like he has been on a vacation somewhere with a lot of sun. But in fact, Tim’s tanned skin is actually a result of days of working in an idyllic location – on water!
And not just any body of water. Tim has been shooting on Sydney’s iconic harbour and the pristine Pittwater for two exciting projects for two separate clients. Minds Eye enjoys the challenges that come with tackling a new location, and shooting on a 50-foot game fishing boat and a 60-foot yacht certainly presents some unique ones!
Does it ever end ? No, when it comes to film and TV gear. So with that in mind I have a bunch of new gear. New lighting frames 10 x 10, 6 x 6 and 4 x 4. Also a new Chromakey green 10 x 10 screen as well as some new new textiles for my other frames.
I also have a new monitor stand setup to make having a monitor on set in the right place easier and faster. This is a combination of a few Mathews products specially designed for onset monitors.
I now have a “low boy ” attachment for my Wally dolly kit. This enables the tripod head to be mounted to the T frame on the dolly, making for some really nice low angle shots.
Then there is a load of other new gear, including Shot bags x 4, C stands and more light stands.
All this new gear comes included with all my existing gear as part of my shooting package which means I can handle any shoot.
Cameras are getting smaller and stranger shaped, but this one even with its odd looking body just maybe the future or cameras. Say hello to the DJI Osmo, a new handheld camera that lets you shoot 12MP photos and 4K video while being stabilized with a 3-axis brushless gimbal.
The camera system is basically a sleek handheld stabilizer that comes standard with the Inspire 1’s X3 camera, which packs a 1/2.3-inch Sony Exmor R sensor with an ISO range of 100-1600 (100-3200 for video), a 20mm (35mm equiv.) lens with a 94° field of view, and DNG support or You can also choose to buy the grip for a new X5 camera if you’d like a Micro Four Thirds sensor and mount.
We have added another lens to our range. The Canon EF 16-35mm f/2.8L II USM Lens is a great addition as it adds a great wide angle option for both stills work and is fabulous on our Red Epic Dragon.
The Red Dragon camera is built to work with Canon lenses and takes advantages of the lenses internal motors enabling all sorts of focus options that no other professional cinema camera offers. By shooting with the light weight high quality Canon L series lenses, it enables shooting with an ultra light weight camera setup.
Producing two cinematic quality TVCs at low cost and with a limited shoot time? No problem! It’s a challenge Tim faced recently when he was shooting two new infomercials for regular client Optus – and he tackled it using his Red Epic camera and his brand new Canon Cine Prime lens set.