I have decided to sell one of my Red cameras. This camera is a great camera that has had very low usage time – only 120 hours on the sensor. It’s a great dependable camera that produces great images time after time. It is fitted with the interchangeable OLPF. It also comes with both a Red Pro I/O and A-Box so you can scale it up or down to suit your production needs.
With both Titanium PL Mount and Titanium Canon Mount you can run an awesome amount of lenses on this great camera.
I want $23,000 excl. GST ($25,300 incl. GST) and will provide a Tax Invoice.
This RED Epic Dragon with heaps of accessories is up for sale. All items purchased brand new by myself. It is a Fully kitted production package in excellent condition, ready to shoot. Minimal signs of wear, very low operation hours.
Used primarily on TVC’s. Never dry hired.
Sensor Hours: 120
Inspection can be arranged.
Please contact me for any queries or offers.
1 x Epic Dragon 6K Camera Body
1 x Pro I/O Module
1 x DSMC Titanium PL Mount
1 x DSMC Titanium Canon Mount
1 x DSMC 1.8” SSD Side Module
1 x DSMC Side Handle (w/ hard case)
1 x Redmote (w/ hard case)
1 x Skin Tone Highlight OLPF
1 x Low Light OLPF (w/ protective case)
1 x Viewfactor IDX V-lock Battery plate
1 x Pro Battery Module (Quad)
1 x Module Adaptor
1 x Wooden Camera A-Box
1 x Viewfactor Origo Remote Start/Stop
2 x Olympus Scratch mics (ME52’s)
1 x Top Plate
1 x Shoulder mount
1 x Top handle
1 x Red Handle – Right (19mm with 15mm adaptor)
1 x Bottom Spacer Plate
1 x Lightweight 15mm Adaptor
1 x Element Technica Studio 15mm Bridge Plate & Dovetail
2 x Stainless Steel Rods – 30cm
1 x Red Sidewinder
1 x Bomb EVF LCOS (w/ hard case)
1 x Red Pro 5.0” Touch Screen Monitor (w/ soft bag)
1 x DSMC Top Mount (Adjustable)
1 x Spinner EVF Mount
5 x EVF/LCD Cables
2 x 128GB 1.8″ SSD Redmags (w/ hard cases)
1 x 256GB 1.8” SSD Redmag (w/ hard case)
1 x Redmag Stations 1.8″ USB2 / esata
1 x Redmag Stations 1.8″ USB3
4 x Redvolt Batteries (w/ hard case)
2 x Redvolt Batteries
1 x Redvolt Quad Charger
2 x Redvolt Travel Chargers
3 x Power Cables
1 x AC Adapter (Epic AC Power)
1 x 2B-TO-1B Power Adapter Cable
1 x Kangaroo Soft Camera Case
1 x Pelican 1600 Case
1 Red Camera body case
Deciding on new camera gear is always tough and you have to focus on which product is right for you.
I have owned and used on camera monitor-recorders for a long time. I originally bought a Atomos Samurai when I bought one of the first Red One cameras in Australia. The reason this was a great option to add to the Red camera was because it allowed me record a video stream with matching file names and timecode (to the RAW recording) the Red camera was doing. This allowed more options in post production as well as allowing for playback on set. This was in the very early days of the Red before the cameras could play back the footage. These two features alone were more than enough reason to buy the Atomos. Continue reading “External recorder or monitor-recorder: why do I need one?”→
It’s all happening again, Red has made a cryptic announcement of an announcement coming on July 6th.
Jim Jannard the founder of Red Digital Cinema posted on RedUser“July 6th. 9am PST. Right here. You need to be online. You need to tell everyone you know to be online. Have your credit card ready. This is a new product category. It does not impact your RED camera.”
We have just completed the Dragon camera upgrade to take the latest swap-able OLPF (Optical Low Pass Filters) We also have both of Reds OLPFs which give more options for shooting.
The OLPF come in two varieties:
The Low Light Optimized is the original RED DRAGON OLPF tuned for higher ISO shooting, and similar to the OLPF used in the EPIC MYSTERIUM-X. This OLPF provides excellent color and tone reproduction in dim environments. Use this OLPF to capture and preserve color quality in mid-tones, darks, and shadows.
The Skin Tone Highlight OLPF offers a stop of extra highlight protection, the most incredibly accurate skin-tones and color science as well as additional flare control, with the expense of a stop of light sensitivity. Use this OLPF to capture and preserve color quality in highlights, bright colors, and well-lit environments. While using the Skin Tone Highlight OLPF with ND filters there is no need for Infrared filtering.
We have added another lens to our range. The Canon EF 16-35mm f/2.8L II USM Lens is a great addition as it adds a great wide angle option for both stills work and is fabulous on our Red Epic Dragon.
The Red Dragon camera is built to work with Canon lenses and takes advantages of the lenses internal motors enabling all sorts of focus options that no other professional cinema camera offers. By shooting with the light weight high quality Canon L series lenses, it enables shooting with an ultra light weight camera setup.
Dragon: a large, scaly mythical creature that breathes fire and guards castles. Right?
Wrong! Dragon is the name that’s been given to the newest version of the Red Epic, which was already ground-breaking in its field. Tim is one of the first cinematographers in Australia to obtain one, and he is eager to put it through its paces.
The Red Epic Dragon camera takes things up a notch from the previous Red Epic; offering dynamic range once thought impossible, the Red Epic Dragon has impressive low light capabilities, increased resolution and new colour science. In particular, the new colour science makes a huge difference to the end result; primary colours appear brighter, while skin tones are softer and colour variations are more noticeable than ever.
Other stand-out features include:
Dynamic range around 16 and a half stops
Highest colour sensitivity ever measured
Exceptionally low noise levels
Can film hi-speed at hi-resolution, clocking 100fps at 6k resolution
The Dragon has had rave reviews from those lucky enough to have tested it.
It has already been used to shoot several high profile films, including Thor, Payne and Redemption, Bad Neighbours, Walking with Dinosaurs 3D, The Expendables 3 and Gods of Egypt, which Tim has been on set at with his new gear.