Its not just you – Tim from Minds Eye Films is definitely looking like he has been on a vacation somewhere with a lot of sun. But in fact, Tim’s tanned skin is actually a result of days of working in an idyllic location – on water!
And not just any body of water. Tim has been shooting on Sydney’s iconic harbour and the pristine Pittwater for two exciting projects for two separate clients. Minds Eye enjoys the challenges that come with tackling a new location, and shooting on a 50-foot game fishing boat and a 60-foot yacht certainly presents some unique ones!
We have added another lens to our range. The Canon EF 16-35mm f/2.8L II USM Lens is a great addition as it adds a great wide angle option for both stills work and is fabulous on our Red Epic Dragon.
The Red Dragon camera is built to work with Canon lenses and takes advantages of the lenses internal motors enabling all sorts of focus options that no other professional cinema camera offers. By shooting with the light weight high quality Canon L series lenses, it enables shooting with an ultra light weight camera setup.
One of the most often asked questions is “How much is this gonna cost us to use 4K ?!” Well a great article from AbelCine goes through the costs on a multi camera shoot for both 4K and 1080 (HD) production.
The rumours that shooting 4K are way more expensive are busted. The cost for shooting 4K is the same as shooting 1080. The costs of the post are explained by Juliet McNally at AbelCine.
They have worked out the its a 55% increase in cost, but think of all the advantages. From an audience perspective, it starts with improved quality: unprecedented levels of resolution and contrast and, ultimately, a much more dynamic, engaging and immersive entertainment experience. If shoot and finish in 4K you are future proofing as 4K Tv sets are being sold in the states for $1200 also youtube streams 4K footage today.
Forget the Oscars, the world premiere of the new Hi-5 movie “Some Kind of Wonderful” with director of photography extraordinaire Tim Bradley. I shot on my new revolutionary Red Epic camera. It’s in good company, Red Epic was also used to shoot Hitchcock, The Great Gatsby, The Hobbit and Mental. Looking forward to walking the purple carpet – think Hi 5 colours 🙂
The Fantastic crew was – sound by Martin Harrington, additional cameras Brigham Edgar, Dean Ginsburg and Directed by Jim Hare.
The Film and TV industry is forever changing, but of late I have been getting a lot more stills work and stills portraiture work. It seems while companies are holding off making Video communications they are still spending on good old stills photography.
I have been having great fun shooting with the new Pocket Wizard remote flash triggers. I have the new MiniTT1 and 3 FlexTT5s as well as the AC3 flash zone controller. These are great, they have great range and are the most advanced flash triggers out today. They offer the ability to shoot well above the traditional flash sync speed – normally 1/200 or 1/250 of a second. In fact you can go all the way to 1/8000 of second, offering amazing shooting options and allowing smaller flash heads to be used to over power ambient light. This also allows you to shoot flash outdoors in full sun and work with a very shallow depth of field. The AC3 zone controller is a great time saver. You can adjust the flash power from on top of your camera in up to three zones meaning no more running back to your light to adjust the power up or down.
Another reason I enjoy the change of stills work is I can take a mile less gear. For a portrait shoot I can fit all I need into 1 Backpack and 1 Stand/tripod bag. Mind you I have the backpack jammed full. I normally carry a Canon 5D, 24-70 zoom, 70-200 zoom, Pocket Wizards, three Canon Speedlites, umbrellas, softboxes, stands and reflectors.
Another great feature is the my Canon 5D can connect to my iPad allowing a lovely way of reviewing shots.
Stills are a great change and keep the creative juices going!