Camera bags and hard cases for Photographic, Film and TV gear

Sony F5 Camera case

So how do you make sure your gear works when you need it too? That’s an easy answer, make sure you protect it properly. The easiest way to do this is to have your gear in protective cases or bags. Continue reading “Camera bags and hard cases for Photographic, Film and TV gear”

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New Canon 6D Mark II and EOS Rebel SL2 cameras

Canon just announced the new 6D Mark II and EOS Rebel SL2 Each model boasts significant upgrades over its predecessors. They both will be shipping around Mid July.

Its great to have more camera options and as they are from Canon should make great images!
Continue reading “New Canon 6D Mark II and EOS Rebel SL2 cameras”

A typical professional video shoot

A typical professional video shoot normally means you need a wide range of gear. Even the seemingly simplest shoot can need a huge amount of gear to make the end video look fabulous.

Keep in mind, there is no “one size fits all” equipment package for everyone since there are so many variables including budget, type of project, shoot style and shoot locations to name just a few.
Continue reading “A typical professional video shoot”

Working on water

Working on Water

Its not just you – Tim from Minds Eye Films is definitely looking like he has been on a vacation somewhere with a lot of sun. But in fact, Tim’s tanned skin is actually a result of days of working in an idyllic location – on water!

And not just any body of water. Tim has been shooting on Sydney’s iconic harbour and the pristine Pittwater for two exciting projects for two separate clients. Minds Eye enjoys the challenges that come with tackling a new location, and shooting on a 50-foot game fishing boat and a 60-foot yacht certainly presents some unique ones!

Continue reading “Working on water”

More lenses

Canon EF 16-35mm f/2.8L II USM Lens
Canon EF 16-35mm f/2.8L II USM Lens

We have added another lens to our range. The Canon EF 16-35mm f/2.8L II USM Lens is a great addition as it adds a great wide angle option for both stills work and is fabulous on our Red Epic Dragon.

The Red Dragon camera is built to work with Canon lenses and takes advantages of the lenses internal motors enabling all sorts of focus options that no other professional cinema camera offers. By shooting with the light weight high quality Canon L series lenses, it enables shooting with an ultra light weight camera setup.

The cost of 4K


cost of shooting 4KOne of the most often asked questions is “How much is this gonna cost us to use 4K ?!” Well a great article from AbelCine goes through the costs on a multi camera shoot for both 4K and 1080 (HD) production.

The rumours that shooting 4K are way more expensive are busted.  The cost for shooting 4K is the same as shooting 1080. The costs of the post are explained by Juliet McNally at AbelCine.

They have worked out the its a 55% increase in cost, but think of all the advantages. From an audience perspective, it starts with improved quality: unprecedented levels of resolution and contrast and, ultimately, a much more dynamic, engaging and immersive entertainment experience. If shoot and finish in 4K you are future proofing as 4K Tv sets are being sold in the states for $1200 also youtube streams 4K footage today.

To read the great article http://blog.abelcine.com/2013/05/21/the-cost-of-4k-from-acquisition-to-archiving/

World movie premiere – DOP Tim Bradley

Hi 5Forget the Oscars, the world premiere of the new Hi-5 movie “Some Kind of Wonderful” with director of photography extraordinaire Tim Bradley. I shot on my new revolutionary Red Epic camera. It’s in good company, Red Epic was also used to shoot Hitchcock, The Great Gatsby, The Hobbit and Mental. Looking forward to walking the purple carpet – think Hi 5 colours 🙂

The Fantastic crew was – sound by Martin Harrington, additional cameras Brigham Edgar,  Dean Ginsburg and Directed by Jim Hare.